ARTS MEDIA COVERAGE SPOTLIGHTED AT FRINGE FEST TENT TALKS

Should media feel any obligation to cover arts events and issues? Could the arts sector send better messages? A better way? How can we encourage greater quality and quantity of arts coverage by the media? These questions sparked lively discussion at a panel discussion: Under the Radar: Where are Toronto arts in local media? presented by Toronto Arts Coalition on July 8 at the Toronto Fringe Festival tent at the TRANZAC Club.

Hosted by local performer and publicist, Keith Cole, the event brought together a mix of artists, editors and producers to discuss the state of arts coverage in Toronto.

Panelists included Jim Garrard (Toronto Arts Council/Foundation), Janine Fawcett (Publicist), Susan Feldman (CBC Radio), John Terauds (Toronto Star), Pamila Matharu (Visual Artist; Independent Arts Facilitator at Gladstone Hotel), Heather Allin (Actor, ACTRA), Jessica Wyman (Writer, Curator, and Art Historian).

Panellists talked about how to raise intellectual level of arts discourse in media, the need for a Canadian star system, and the nuts and bolts of how to attract the attention of editors and producers.

All panellists expressed strong support for increased and quality arts coverage. While it was pointed out that media have an obligation to serve the interests of their consumers and shareholders, they can not really be said to have any obligation to serve the needs of the arts community.

Some panellists thought that pressure applied to editors and publishers by consumers or, even, shareholders would effectively encourage more and better arts coverage. The sector needs to understand who they are approaching in the media and what their interests are and shape their pitch accordingly. General press releases that blanket the media have a low yield of success.


Highlights that came out of the discussion:

Message to arts presenters:

  • Research, research, research. Get to know media outlets, editors, producers and writers. What type of stories do they tend to present? What is their focus?
  • Is your event appropriate for mainstream press? Would it be more to your advantage to promote your event to alternative outlets, such as web-based media?
  • Does your event connect to a bigger theme? What are the angles?
  • When pitching your event, the shorter the better. Make it concise. Editors and producers are very busy and appreciate bite size information that catch their attention.
  • Is your forte in marketing or publicity? Do you need to partner with someone who can lend that skill?
  • Note: there are no guarantees that the story you present to the press is the story that they are going to tell.
  • What do you do about nasty, mean-spirited reviews? – Write to the editor and complain. They do listen.
  • Work with columnists, who are more likely to dig beneath mere reportage. Offer them interview subjects who are thoughtful and thought provoking
  • Sure, we’re all interested in publicizing our events and having them well reviewed, but we also need to ensure that larger arts issues are addressed by media.

Message to media:

  • Don’t underestimate the intelligence of Torontonians.

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